![]() ![]() Next, we had to scratch off a handful of Letraset letters for small type, swivel-cut ruby, amber and halftone-which, of course, would get stuck in our hair (when we had hair)-on a light table with multiple taped color separation sheets of acrylic for each color. It doesn’t seem that long ago when we’d take hand-drawn, pencil-sketched images from artists and black line (or “ink”) them with rapidograph pens after the customer approved the multiple changed and/or corrected sketches, then take a photo of the line art on the stat camera, scratch off the paste-up shadow edges and fill in the pin holes with red opaquing pens. But nothing says progress as much as the way we’ve evolved with color separations for film positives. ![]() It’s amazing how far we’ve come in the screen-printing industry-all the way from homemade, two-color, lazy-susan presses to super-fast, 16-color automatics. ![]()
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